The Elkys recently had the opportunity to track with Jim Diamond at his Detroit studio, Ghetto Recorders. Working with Jim had been a goal since the quartet had discovered the warmth and immediacy of recording in an analog environment after experiencing Fort Wayne’s own Off The Cuff Sound. The band was able to lay down the drum, keyboard, bass and guitar tracks all at one time, making for a very tight and cohesive sound. Additional vocals, hand claps, foot stomps, tambourine shakes and timpani rolls were then added later through the miracle of multi-track recording.
Initially the Elkys were a little intimidated by the person of Jim Diamond. His gruff, no-nonsense exterior masked a kind, genuine, no-nonsense interior. When the girls wondered out loud at the stories he could tell, his sage response was, “If you want to drink, go to a bar. If you want to record, go to a studio. This is the most expensive bar you will ever drink in.” In light of that advice there was but one beer consumed during the band’s session. (By Kay, in order to sing the lyrics to “Small Talk In Hieroglyphics” at 1:30 pm in the afternoon.)
Jim seemed to have everything, from a massive wall of vintage amps to an Electrodyne, 24 track console. Sunday afternoon found the girls wishing for a kettle drum to add drama to a section and Presto!, Mr. Diamond is wheeling a brass timpani from a closet for Jackie to play. Her work was soon finished and she left the studio to join her family for a well deserved mini- vacation.
The time flew by and soon it was time for the Elkys to collect their things and head to Chicago to have the songs mastered by Collin Jordan at the Boiler Room.

Jana, Kay, Jim and Oona
Jana, Kay and Oona gathered in front of the unassuming entrance to the studio and bade Jim a fond farewell, aided by a friendly passerby (Thanks Glenn) in the taking of one final group picture.

Oona and Jana at the Mix Down